‘I truly required a break after that!’ Your most gripping TV episodes ever

Spooks – I Spy Apocalypse (2003)

The show kicks off with the MI5 agents confined as part of a simulation concerning a fictional terrorist event, overseen by two Home Office officials. As the situation develops, it appears that there really has been an attack with a chemical weapon released. The suspense builds as messages indicate a catastrophe taking place outside, and escalates as the superior shows signs of exposure, and the two Home Office officials attempt to leave, compelling the character played by Matthew Macfadyen to decide between shooting them or letting them go and potentially infecting the secure MI5 headquarters. As this is Spooks, his decision is predictable.

Threads from 1984

The production was inexpensive but arguably the most terrifying series I have ever watched owing to its grim authenticity and dismal official figures. Saw it not long ago after seeing the first airing; I frequently went to the Sheffield pub shown in the series which underscored the actuality and the glib matter-of-fact official information that aired. Continuing to be utterly horrifying after three and a half decades.

The 2022 Severance episode The We We Are

The first season finale of Severance deserves a top spot as a tense chapter. I spent the entire episode literally perched nervously, pushing alongside Dylan to maintain his grip on the controls that kept the Innies on overtime, while screaming at the Innies to disclose their facts. The concluding高潮 – “she survives!” – resembled a outburst.

Industry – White Mischief from 2024

The fifth episode of Industry’s third season had my heart racing. I had to pause and get up and exit the space repeatedly because of the sheer scale of the wanton self-destruction I observed. Rishi Ramdani is in major difficulty at work and home – overwhelmed by debt to loan sharks because of his compulsive gambling, engaging in dangerous ventures on a wager involving sterling that might cost his firm millions. So of course, he goes on a gambling spree, consumes excessive substances and alcohol and wins, loses, wins, is severely assaulted. Each instance you believe the situation cannot deteriorate further, it worsens. There’s hope of redemption by the episode’s conclusion yet he wastes the chance, resulting in dreadful effects in the season finale. Absolutely had to relax following that!

Peep Show – Holiday from 2007

Peep Show is not inherently a tense series. However, the Holiday episode features such degrees of awkwardness that it can cause you to stand the whole episode, riddled with anxiety. The tension escalates when Jeremy and Mark realize having to lie about the dog they unintentionally hit and following tries to eliminate it. You subsequently use the rest of the installment questioning whether it truly can be worse than incineration, and it is possible!

The West Wing – The Two Cathedrals from 2001

No other viewing has been as gripping than the first time I watched the season two finale to The West Wing. The episode starts with the aftermath of the demise (in a car crash) of the president’s personal secretary and reaches a crescendo with a crisis in Haiti, and the effects of the withheld information regarding the president’s multiple sclerosis diagnosis, with confirmation of his intention to pursue re-election. Superb programming. Unequaled.

Bodyguard – episode one from 2018

The beginning of the UK show Bodyguard, with the protagonist on a train with his young son, is personally a top tense installment. He observes a woman in Islamic attire heading to the toilet and senses something is wrong. The explosive disposal specialists are summoned, board the train, and attempt to convince the woman to discard her bomb jacket. Anxiety builds to an almost unbearable degree, until, finally, the vest is neutralized.

Buffy the Vampire Slayer – The Body (2001)

Buffy arrives at her residence to find her mum has passed away of natural causes, which is the most unusual type of death in this paranormal series. The episode has no background music, a gloomy atmosphere, and we witness the episode via the perspective of Buffy’s astonishment upon finding her mother.

The Sopranos – Made in America (2007)

The final scene of the final episode of the series was extremely nerve-wracking. And if you viewed it when it first premiered, you – at the start – didn’t understand the cause. Tony’s foes, genuine and fictional, were all vanquished. Surely this has the feel of the season one ending? “Recall the minor details.” However, the vibe is oddly threatening. Nearly Twin Peaks-like fear. The family gathers in a diner. Meadow stops the car. Tony sorrowfully notifies Carmela there’s trouble afoot with yet another of his crew collaborating with the authorities. Meadow parks the vehicle. Odd persons arrive at the eatery. Stare at Tony(?) Meadow is parking. Tony puts a record on the jukebox. Meadow finds a spot. The door chimes, a person comes in. It isn’t Meadow, she remains parking. Tony looks up. Keep going. It stops. My heart dropped from my mouth roughly 20 minutes after.

The 2016 The Walking Dead episode The Last Day on Earth

I kept late hours to see this show during the night. It was extremely gripping following the introduction of villain Negan discovering the characters, cruelly taunting his victims and then keeping the death a mystery (ended on a cliffhanger). The first-person perspective of the victim and the muted audio – argh! {We then had to wait for season seven|We then needed to await season

Christie Lutz
Christie Lutz

Automotive journalist with over a decade of experience covering luxury vehicles and industry innovations.